Monday, 4 May 2026

Immersion in ttrpgs and larps

Every now and again, I see on Reddit and other places talk about immersion in ttrpgs and larps as being really important.

And because I’m not sure what that really means, I’ve tried to figure it out. 

(Clearly this isn’t the first time anyone has tried to do this, but this is my take on what immersion means to me.)

Define: Immersion

Asking Google (in April 2026) for a definition of immersion brings up this response:

Immersion (noun)

1. the action of immersing someone or something in a liquid.

2. deep mental involvement in something.

Google’s source is Oxford Languages.

#1 Immersion in a liquid

I’m pretty sure nobody in these discussions uses “immersion” to mean being immersed in a liquid. (Although Bubbles is an anthology of hot-tub larps, and Prawn is a larp set in a fish tank and held in a swimming pool. No doubt that players have joked about how immersive those games are. I know I would.)

Immersive experiences

But a broader interpretation of #1 would include immersive experiences, such as immersive theatre (such as Punchdrunk). The closest thing I’ve come to trying one of these was Alien War in London, back in the 1990s. (I’ve written about Alien War before.)

Sometimes these immersive experiences stretch the meaning a little. I think the idea of Van Gogh: The Immersive Experience is that you feel as if you are inside the painting. (I don’t know, I’ve not actually been – despite there being one on my doorstep.)

I’ve not done Bridge Command either. I hear it’s good, though I suspect you have to visit regularly to get the most out of it. If I went to London more regularly, maybe I would try it.

ttrpgs and larp

While I can imagine this kind of immersion in a larp, I don’t for a moment believe that this is what ttrpgers mean when they say immersion. Not unless the ttrpg they are playing is a game about modern-day folk playing tabletop roleplaying games.

And as far as larp goes, I think the idea is that a fully immersive environment lets players inhabit their characters without anything getting in the way.

Which sounds great, but I don’t work like that. I’m never not playing a game, and even immersive environments have elements that arguably drag players out from their immersion. (Some examples: Magic. Tracking wounds. Spectacles. Wheelchairs. Contrails. Power lines. Double-glazing.)

Worse, this kind of what-you-see-is-what-you-get feels a little too re-enactment-y to me. I remember watching magicians in a larp spend minutes casting their spells (drawing patterns in chalk, chanting, etc.), and it looked so boring to me. Can’t I just roll some dice? (And larps where you sleep in character? Ugh – I need breaks!)

Immersion of that sort isn’t a particular draw for me, but what about the second definition?

#2 Deep mental involvement

So this is the kind of immersion that works for me. I can get lost in a book. I can get lost in a video game. And yes, I can get lost in a ttrpg or a  larps.

But strangely, the immersion is different for ttrpgs and larps.

ttrpg/larp immersion as a player

Playing ttrpgs: In ttrpgs, I rarely experience immersion as a player. As a player, there are too many distractions for me to be completely immersed – and that’s not helped by the spotlight nature of ttrpgs. With four players and a completely fair GM, then I am only “playing” for 25% of the time. The rest of the time I am waiting and watching – which is fine, but not particularly compelling, and I’m unlikely to feel “deep mental involvement.” (I hate combat in ttrpgs for this reason. It’s so dull.)

Playing larps: But in larps, the percentage of time that I’m actually playing (rather than waiting or watching) is much, much higher. In the larps I enjoy, pretty much everything I need to resolve my character’s goals is held by other players – so there’s very little downtime. (In a weekend-long freeform larp, I will typically interact with the GMs for only a few minutes in total.) And so I find them much more involving and therefore immersive. The times I hate larps are when I’m bored – which usually means I don’t have enough to “do.”

ttrpg/larp immersion as a GM

As a GM, things are flipped.

GM-ing-ttrpgs: I find GM-ing a ttrpg completely absorbing. I’m fully focused on the players and on managing the game, the rules, and everything else. I’m completely immersed in the game – I don’t have the time to be distracted.

GM-ing larps: But in a larp, particularly the freeform larps I like to write and run and play, GM-ing is often a very passive activity. Once the game is set up and running, players often don’t need the GM. I am often only there for when the players need to interact with the world, and often they don’t need me much at all.

Immersion ≠ staying in character

It’s worth noting that for me, immersion does not mean staying in character. When I’m playing a larp I drop in and out of character quite often – but I’m still completely immersed in the game. (I find it hard to actually stay in character – I’m always playing a game.)

Other forms of immersion

So far so good, but “immersion” seems to have other meanings in ttrpgs and larps.

Immersion = staying in character

Having said that, for me, immersion does not mean staying in character; I recognise that the opposite is true for others. (As I’ve said, I’m lousy at staying in character.)

In fact, the Nordic Larp Wiki has this definition for immersion: Immersion" refers to a state of mind where a player does not need to actively suspend disbelief in the fictional universe, and where role-playing flows as naturally and easily as if you really were the character.

So I think this is about how much a player feels like they are their character and that they are in the game world. How real does it feel in their imagination?

If so, then immersion-breakers are things (in the rules or how the game is played) that pull players out of the game and their characters. (I’m not quite sure why things like rolling dice don’t pull you out of character, but presumably they don’t.)

While I see this in others (or hear about it in larp stories), it’s not something I experience myself. That’s because it’s always a game; I’m always just Steve. (Some people cry. I’ve never cried in a game.)

But maybe it’s a campaign thing? I suspect that over a number of sessions, ttrpg players become attached to long-running characters and may experience this kind of connection. I’ve never played a campaign longer than a dozen sessions or so; I’m usually itching to play something else by that point. So that’s never been me.

Anyway, as I’ve explained, that’s never been me.

Breaking immersion: collaborative world-building

When I am a GM, I like my players to help build the world. I’m a fan of Jason Cordova’s “paint the scene,” so when my PCs enter a new location or meet a new NPC, I might ask them something like, “What tells you that the owner of this store is struggling to get by?” 

But some players don’t like this. As far as I can tell, they feel that the GM should come up with these details. It’s suggested that answering meta-questions like this will break their immersion. 

(As a player, I like this sort of thing.)

Is immersion a player-only thing?

There may also be a player/GM difference. I’ve seen it suggested that those of us who are GMs first and players second (which is certainly true of me), don’t lose their GM-mindset when playing, so they still think about the metagame rather than getting wrapped up in their character.

And as a result, the feeling of character immersion (however you measure it) may be less important to them than to someone who is mostly a player.

But that’s just a theory. I don’t think it’s been tested.

Immersion: Am I any clearer?

Yes, I think so.

For me, immersion is important – but for me it’s the kind of immersion that means I am fully absorbed by something. (And even then, I don’t get that from all aspects of playing ttrpgs and larps.)

The other kinds of immersion? Not so much.

Friday, 1 May 2026

Peaky 2026

I played two great games at Peaky 2026: Triremes in Space and Grease Point Blank. (These are working titles and may change.)

Triremes in Space

Triremes in Space is a 12-player game of Ancient Greeks in space, written by Helen Jones, Megan Jones, Michael Jones, and Ewan Munro. 

Hang on, Ancient Greeks in space? Yes - and this isn't even an original idea! As Megan explained to me afterwards, she was inspired by the second-century travelogue/novella A True Story by Lucian of Samosata, in which Lucian and his crew are blown into space and have a series of adventures. I've never heard of it before, and it's arguably the first ever SF story. 

Spider battle from A True History by William Strang, Public domain, via Wikimedia Commons

Anyway, I was playing Selene of Luna, leader of the Moon people. And I was meeting humans from Terrus for the first time - Spartans, Corinthians and Athenians. All hated each other, and yet I somehow needed to get them to help me with my problem with the sacred cows on the Morning Star...

Structurally, Triremes in Space starts with four factions, with three characters (broadly a leader, a ship's pilot and a warrior - although some factions may have had a different mix). The factions may be enemies or allies – or in the case of the Moon people, unknown.

The Moon people were delightfully alien, and as I was meeting humans for the first time, I enjoyed misunderstanding them and (hopefully) being unclear.

Amazingly, I achieved all my important goals - although it turned out that one of my advisors was deeply dodgy, and I had no idea!

It was also helpful having one of the authors (Ewan) as my other advisor. Inevitably, we hit bits of lore that hadn't been fully explored, and he provided the explanation while also filing the question and answer away for later.

Grease Point Blank

Grease Point Blank is a 12-player 1969 high-school reunion game inspired partly by the movies Grease and Grosse Point Blank. It was written by Nickey Barnard, Philippa Dall, Heidi Kaye, Tony Mitton and Christi S.

I couldn't believe my luck when I opened my character sheet: I was playing the John Cusack character! Okay, I'm trying not to spoil this, so I'm not going to say who I was playing or what happened. But it was so much fun, there was angst, drama, unexpected attention and maybe even murder.

I think my favourite moment was a completely unexpected conversation with Graham, but the game was filled with lovely moments.

Other games

Two other games were also written at Peaky 2026. I didn’t play them, but it sounded like they went well.

For The Greater Good by Adam Hayes, Kirstine Heald, Kevin Jacklin, Peter Jones, and Julie Winnard. Strange goings on in an English village for 8 players.

Lord Gount's Expedition by Clare Gardner, Martin Jones, Alli Mawhinney and Rich Perry. Sailpunk, for 8 doomed players. (I may have got the title for this one wrong.)

And you'll notice I didn't write a game this time. That's because I started, but it didn't work out. That happens sometimes. I ended up talking about Cafe Casablanca and helped proofread For the Greater Good.

Sunday game scheduling

And I have to say, Sunday was lovely. Only four games were running, and that meant that instead of trying to cram three sessions and lunch into about seven hours, everything was much more leisurely. 

So our schedule was:

  • 8:30-9:30 Breakfast
  • 9:30-12:30 First game slot (Triremes in Space and For the Greater Good)
  • 12:30-13:30 Lunch
  • 13:30-16:30 Second game slot (Grease Point Blank and Lord Gount's Expedition)

So that was a very leisurely three hours for each game. Nothing felt rushed, and we had loads of time for feedback and relaxing between games. 

(Sometimes we have six games running at Peaky. So that means an additional slot, and all the slots are only two hours long with very little space in between. And lunch is either very early or very late. And no, we can't push into the evening because some people have to leave, and others want to just chill after a busy weekend.)

I'd like to suggest we do that every Peaky, but that means having more games that aren't ready to be run. Is that a bad thing? Maybe not.

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