More things I'm enjoying

Three more great things!

Dinosaurs

I’ve been getting back in touch with my inner seven year old, and have been learning about dinosaurs. I started with Audible’s A Grown-Up Guide to Dinosaurs and then followed that with The Rise and Fall of the Dinosaurs by Steve Brusatte (who appears in the Audible series). We then followed that with a trip to Lyme Regis in Dorset where we visited the dinosaur museum.

Dinosaur "Man" from the Lyme Regis Dinosaur Museum.

Want more dinosaurs? Here's a dinosaur blog, and here’s a site full of dinosaur pictures.

(My favourite dinosaur is Triceratops.)

The Expanse

Series 4 has just started on Amazon and I’m half way through it, and it’s just brilliant.
So far. And while it’s broadly similar to the book, there are enough differences to make it worth watching. It’s interesting seeing the TV series introduce characters who will be pivotal later on. So Series 4 is a combination of Book 4 (Cibola Burn), one of the novellas (Gods of Risk) and some new stuff.

A word of warning - the first few episodes of season 1 are a bit heavy going - so do persevere with it.

The books are also excellent - consistently scoring 4s and 5s when I read them. I haven’t read the most recent (Tiamat’s Wrath) as it’s still in hardback, but as soon as the price drops I will pick it up. Auberon, the recent novella, was a pleasant surprise.

And it turns out that there’s an Expanse fan wiki (full of spoilers, so be warned).

D-Day Dice

D-Day Dice is a cooperative world war two boardgame where you play a unit of Allied troops storming the beaches of Normandy. The game involves rolling lots of dice to build up your forces (troops, courage (needed to move up the map), stars (needed for officers), and tools (needed for equipment) as you work your way up to a bunker that you must conquer to win.

It’s a cooperative game, and is really enjoyable solo. Many cooperative games seem like puzzles, and D-Day Dice is perhaps more puzzle-y than most. But I enjoy it, and I Kickstarted the 2nd edition, which landed recently. Expansions add more variety (most of it good, some of it not so good) and I’m enjoying working my way through the different maps.

Things I'm enjoying

A few things that I’ve enjoyed reading/playing/listening to/watching.

The Case of Charles Dexter Ward

Following on from The Conception of Terror which I talked about last time, The Case of Charles Dexter Ward is a 10 part BBC podcast dramatization HP Lovecraft’s story of the same name. This time the story is told from the perspective of two investigators from the ‘Mystery Machine’ podcast looking into Charles Ward’s disappearance. You don't need to know the story as it's quite different from the the original. Anyway, it’s great fun and sounds exactly like a Call of Cthulhu investigation. All 10 episodes are currently available to download from the BBC - along with the start of the next one: The Whisperer in the Darkness...

Villagers 

Villagers is a really nice card game for 1-5 players (although there is a solo option, it’s much better played against others). Following the black death, you must re-populate your village with blacksmiths, carpenters, swineherds, miners and so on. It takes less than an hour to play, and is often a very tight game, with just a few points between first and second place. We’ve played it loads - one of my new favourites.

The Laundry Files

I’m re-reading Charles Stross’ Laundry Files series, starting with The Atrocity Archives and working my way through to the latest, The Labyrinth Index. I’ve finished fifth book (The Rhesus Chart) and am about to start The Annihilation Score, the one with the superpowers. It’s a delight and I’m really enjoying the series. I feel that I'm getting more from them now - I don't know if that's because I know what the future stories bring, or whether I'd simply forgotten so much. Anyway, highly recommended if you like your Lovecraftian horror mixed with workplace humour.

Ghostly Tradition

I found myself spooked by a ghost story last night. It was about 6pm and I was walking back from the garage in the dark, listening to M.R. James’ Lost Hearts - and found myself genuinely unsettled.

Audible has quite a few M.R. James stories available, and it’s about this time of year, in the run-up to Christmas, when I start listening to them again.

My favourites are those narrated by David Suchet - A Warning to the Curious, The Tractate Middoth, Casting the Runes, The Ash Tree, and Oh Whistle and I’ll Come to You My Lad.

Derek Jacobi has also narrated two volumes, Ghost Stories Volume 1 (A Warning to the Curious, The Stalls of Barchester Cathedral, The Mezzotint, and A Neighbour's Landmark) and Ghost Stories Volume 2 (A view from a Hill, Rats, A School Story, The Ash Tree, and The Story of a Disappearance and an Appearance). Both are from the BBC.

As you can see, there’s a bit of overlap - but not Lost Hearts.

I do have a collection of M.R. James’ ghost stories, which I read many years ago. I don’t find them particularly easy to read - but they are a delight to listen to. They're not very scary either, but then they are around 100 years old.

So what happened with Lost Hearts?

Well Audible recently released The Conception of Terror: Tales Inspired by M. R. James. These are dramatisations rather than a simple narrative, and they've brought the stories into the modern day. While they follow the basic structure of the original tales, they are updated for the modern day and include extra characters to help the narrative. Plus there are some very effective sound effects - and the occasional twist.

Casting the Runes was great - but I listened to it in daylight to and from work, and I knew the story.

I didn’t know Lost Hearts, and I was listening to it in the dark, on lonely streets...

It quite creeped me out - which was wonderful!

The Aurors: A Fate Accelerated scenario set in the Wizarding World

A couple of years ago we finished listening to the Harry Potter audiobooks (and watching the movies and visiting The Making of Harry Potter) and ever since I've wanted to run a game where the PCs are Aurors hunting dark wizards. This summer I got my act together and prepared a one-shot which I ran for my daughter and her cousins, and then at Furnace.

Me (right) and five Aurors

While I'm sure there's a space for an improvised game where you come up with a dark wizard with a sinister plan, I don't really work like that so I wrote a more traditional investigative scenario. I based it around a dark wizard’s wand, added some classic Harry Potter locations, monsters and characters, and there you have it.

Much of it is canon - and some of it isn't. According to Harry Potter and the Cursed Child, Harry really is head of the Aurors, and Hermione is the Minister of Magic. The villain isn't canon though, and I made up the bit about the dementors' origin.

I used Fate Accelerated for my game system partly because it seems eminently suitable (one of the sample characters is from a wizard school) but mostly because it's the system I am most familiar with.

Characters

My initial plan was for the players to create their own Aurors. I prepared blank character sheets and a simple worksheet that took them through character creation.

While this was fine for the first run, some of the characters were a bit random and didn't really work as a group. So for the second run (at Furnace) I prepared a set of pre-generated characters that were more coherent and in the event worked really well.

I also answered the question one of my nephews asked - "Why do we need so many Aurors for this?" So I turned it into a training mission - with two experienced Aurors accompanying three trainees (although in terms of "power" they were all equally competent).

The real reason I had five Aurors is because that's how many players I had . But I'm pleased to have a more "realistic" reason - and in the second game the players really ran with the whole trainees idea.

Setting Grid

Death Eater masks

I created a setting grid (used for Backstory Cards) with some pre-defined questions so that I didn't need to bring the cards with me. I seeded the grid with people and places that were relevant to the scenario, which I think is the right way to use a grid for a one-shot.

Unfortunately my original questions were based too much on the Backstory Card questions, and they didn't do the job that I wanted them to: to tie the characters together and into the setting.

So after the first adventure I adjusted the questions so that all of them involve another character in some way. (I ran it for five players at Furnace - I got them to answer one question each, creating a bond between them and the player on their left. That way everyone had bonds to two other players. You can read how that went here.)

One thing that helped is that I seeded the setting grid with places and people that would appear in the story later on, and so for a one-shot it worked really well to bring in characters or places that had already been established.

Game files

• The Aurors scenario
• Blank character sheet
• Instructions for creating an Auror
• Five Aurors (two senior Aurors and three trainees)
• Aurors setting grid

Furnace 2019

I’m writing this in the middle of October and that means that it was Furnace last weekend. This is I think the fifth Furnace I’ve attended, and the third time I’ve run a game. It’s always a friendly convention, although that’s partly because I now know so many of the regulars.

The Garrison hotel from a previous Furnace

And this year the quality of games seemed particularly good…

Although Furnace officially starts on Saturday morning, many players arrive Friday night and hang out in the bar or play boardgames. However, I missed all this as I’m only a 50 minute drive away it seemed a bit extravagant to stay overnight. One day I’m sure I will, as I know I don’t get the full Furnace effect without staying at the Garrison.

Slot 1 (Saturday morning)

Assault on Irondelve (D&D5e), run by Neil Gow. I played Kromm, a 4th level dwarf fighter in D&D 5e. We were dwarves and our under-mountain realm was under assault from an enormous army of goblins and orcs. Defend the city!

I don’t play much D&D, and I think this was the highest level character I’ve ever played. Unfortunately I think the fact that I don’t play much D&D hindered me a little bit - I obviously lack system mastery which might have made playing Kromm a bit more satisfying.

Afterwards I realised that my lack of mastery also spreads to the background. I don’t play many fantasy games, and strangely enough I had a hard time grokking the world. What’s a dwarven city like? How many entrances are there? Where are the weak points? Neil gave us permission to invent the details that we needed, but that didn’t help. As an example, it took me a while to think that what we really needed to do was send help to the dwarf king and just hold out long enough for the cavalry to arrive. Obvious in hindsight, but looking back it took ages to realise that.

I liked how Neil used magnetic disks instead of miniatures - much more portable and I can imagine doing that if I used miniatures in games. (But I don't and I’m not sure that’s what I want from my RPGs - everything always becomes a bit boardgame-y when the miniatures come out. I like boardgames, but not while I’m roleplaying.) Neil explains how to create his disks here.

I also struggle with a very rules-based system like D&D. At one point I wanted to cut an Ogre’s arm off in combat, but because D&D’s combat system doesn’t obviously give you permission to do that, when it was my turn I just rolled to attack. (Which is stupid - I just needed to ask Neil!)

Slot 2 (Saturday afternoon)

Beneath the Stones (Liminal) by Paul Mitchener. I was really pleased to play in this - I backed the Liminal Kickstarter but hadn’t played or run it. And this was my first Liminal game.

I played Eve, a fae illusionist. I imagined her very young, just out of school. Liminal is a modern-day British urban fantasy setting (and very similar to the Other London games I’ve been running and talking about), and I felt very comfortable with the setting.

The game itself involved the disappearance of Haltwhistle, which we was reported on the news and we went to check it out. When we found it we found a circle of mist (impenetrable to ordinary folk I think) and we found dark goings on involving a stone circle and a Fae realm.

Some nice moments I enjoyed: some good banter amongst the players; getting to drive the werewolf’s van even though I hadn’t passed my test; facing down the Hunter (and getting speared for my efforts).

There were a couple of oddities - I would have expected some encounters with BBC film crews or other reporters on the outskirts of the mist. I think the main issue for me was Liminal’s concept of the “crew” (or the adventuring party) and our reasoning for investigating. It felt a bit like we were investigating because we were playing Liminal, not something that arose out of our characters. That’s a fault of many other games as well, of course.

As for the rules system, it was fine. Roll 2d6 and add your skill level - try to beat 8  (normally). It was very reminiscent of the old GDW Traveller rules, with a few tweaks here and there.

But more on Liminal later.

Slot 3 (Saturday evening)

I skipped slot 3 because the slot finishes at midnight and I don’t fancy driving home at that point. Another reason to one day stay overnight.

Slot 4 (Sunday morning)

I ran The Aurors, a game set in the Harry Potter Wizarding World using Fate Accelerated. The players were Aurors and had a dark wizard to chase.

I wasn’t sure how a Harry Potter game would be received, but in the end I had three pre-bookings and a full game. Everyone knew Harry Potter and seemed to enjoy being Aurors chasing a nasty dark wizard.

The game in full flow - is that an acromantula I can see?

I structured the group with two senior Aurors shepherding three trainee Aurors (although in Fate Accelerated terms there was no difference between them) and that worked really well, with the senior Aurors marking the others and taking notes.

I started with a setting grid and some questions from Backstory Cards. I seeded the setting grid with locations and people from the scenario, and I liked how that gave some scenes a bit more resonance when they appeared in the game.

My players were great. They really got into the game and seemed to enjoy being experienced or trainee Aurors. Due to time constraints I did have to skip a couple of scenes as I wanted to make sure we ended up with a climactic battle against a powerful dark wizard. One of the things I really like about Fate is when the players get the opportunity to set an ambush and they can create aspects in advance. So in preparation for the final battle we ended up with:

• Dark shadows
• Where’s my box?
• Not where I put it!
• Giant spider hiding in the ceiling
• Look at me, I’m a white crow!
• Not where I put it.

I appreciate that this isn’t to everyone’s taste, but with the dark wizard, a couple of dementors and some henchmen to deal with, the Aurors needed all the bonuses they could get and the scenario ended with the dark wizard vanquished and our heroes triumphant.

I finished the session by asking everyone to describe what we see their Auror doing as the credits roll, which is always a good way to finish off a one-shot.

I’ll post the files up here before too long, along with some more thoughts about the game.

Slot 5 (Sunday afternoon)

Oh, before I get to the game, I won The Mouse Guard RPG in the raffle. I haven’t looked at it in detail yet, but it looks interesting.

Five for Silver, Six for Gold (Liminal) by Matt Nixon. My second Liminal game, this time we were all members of P-Division (the supernatural section of the police), and I was an ex-marine Detective Inspector in charge of the group. I was non-magical this time, which was a change.

Our team was more focused than Saturday’s, which I felt helped the scenario (although, for whatever reason, the banter between the players was better in the previous game). For me, I think giving the “crew” more of a focus definitely helps - particularly for one-shots.

We battled motorcycle ghost-zombies, explored lost underground stations and ended up battling more zombies. We discovered that Liminal can be brutal - we nearly died in the final encounter (against four zombies). Partly that was due to a lack of system mastery on our part as there were things we could have done (magically warded weapons to do more damage, for example) that we didn’t do. Even though we had used warded weapons in a previous battle, we didn’t think to use them this time. As it was, we just scraped through.

And then we found out that we’d trodden on toes that we shouldn’t have, which was a really nice twist and would have lead neatly into further adventures. As the “leader” of the group I found myself getting very cross with our bosses and the NPC from MI6/MI5 or wherever, which seemed about right for the game.

Back next year

And that was Furnace. I thoroughly recommend it - friendly weekend convention in Sheffield. I’m already thinking about what to run next year.

One-shot RPG GM checklists

So this is my RPG one-shot GM checklist.

Beforehand

• The scenario
• Rules (and summaries)
• Dice
• Pens and paper
• Cards for name tents and aspects
• Food and drink

Introductions

• Names
• X Card
• Set the scene
• Rules check
• Ground rules (taking breaks)
• Tents

Building the team

• Characters - pregens or character generation
• Teambuilding

The scenario

• Equal spotlight time

Wrap

• Epilogues
• Thank everyone
• Tidy up

So that’s the raw checklist. Here’s a bit more detail.

Beforehand

This is to remind me what to bring. Most of it is self evident, and my dice, index cards and pens are in my All Rolled Up. Paper is usually a notebook.

My All Rolled Up

If the game has a one-page rules summary (for example, Fate Core here) then I’ll bring a couple for players to refer to refer to.

Depending on the venue, I’ll bring water to drink and some snacks to share. (I play a lot of one shots at GoPlayLeeds, which is held at the Geek Retreat gaming cafe and they’d rather I didn’t bring my own food and drink.)

Introductions

I like it when everyone knows each other around the table, but I also find that I forget to do it (which is why it’s on the checklist).

This is when I’ll introduce the X card (if I’m using one), and also set the scene and any ground rules (such as when we are taking breaks) so that everyone is on the same page.

At this point I will find out who knows the system I am running. If they’ve already played it, then great. If not, then I give them the key points (and a rules summary if I have one). If they’re completely new to roleplaying, I’ll explain that all they need to do is describe what they’re doing and I’ll figure out what dice to roll.

Building the team

This is the point where the players meet their characters - they either build them from scratch (if the system is simple) or I hand out pre-generated characters.

To me, this is one of the most important sections - it’s when I try to turn a bunch of players sitting around a table into a team. It doesn’t always work, but that’s what I’m aiming for. All the great one-shots that I can remember playing in have some form of team building in them, and I really miss it when the GM just dives straight into the adventure.

Some games (notably DungeonWorld and other PbTA games) include team building as part of character generation, but you can add it to any game.

Some ideas:

• Ask each player to describe a scene from their last adventure - ask the player on their left what impressed them in that scene.
• Use backstory cards and a setting grid.
• Take an idea from DramaSystem - what does your character want from another character (respect, love, trust, etc) - and why can't they get it?

(I've experimented with adding "drama aspects" to Fate, with mixed success.)

The Scenario

This section only has one point, which is to remind me to give everyone equal spotlight time. As GM I try and monitor this, but I’m probably not the best person to say how successful I am.

Spotlight time becomes more important as player numbers increase. I don’t like playing in games with more than four players as I find it hard to remain fully engaged when I’m in a big group. As a result, I don’t like running games with more than four players.

That’s a bit of a problem at conventions where five or six players is standard, mainly due to the player-GM ratio. I’ve run both five and six player games, but I’d rather have no more than four.

Hillfolk’s scene-calling system automatically ensures that everyone gets at least some time in the spotlight. I wish there were other systems that were as easy to use.

Wrap 

Once the scenario is over it’s time to tidy up and thank everyone for playing.

But before you do that, finish the scenario with an epilogue - get the players to describe what their character is doing or thinking as the final credits roll.

Overall

As you can see, the checklist is weighted towards the start of play, because those are the points where I am most likely to forget something. If I’ve set everything up properly in advance, then that makes the game run that much smoother.

And a checklist for players?

Preparing a GM checklist does make me wonder what a player checklist would look like - but I think that’s a topic for another day.

Peaky 2019

Peaky 2019 was a really good Peaky for me - I don’t think it could have gone much better.

(If you’re new here, Peaky is a freeform writing weekend. About 30 freeform writers meet on Friday evening and form groups of 5-6 writers. The rest of Friday evening and all of Saturday is spent writing the freeform, and the freeforms are then all run on Sunday.)

I co-wrote Tea at Longbourne and played two other freeforms and several boardgames.

Writing Tea at Longbourne (Friday)

I ended up in a writing  group with Tony, Heidi, AJ and Phil. It felt a bit like getting the band back together - Tony, Heidi, AJ and I were part of the writing team for Once Upon A Time in Tombstone. So it was easy for us to write together, and we’ve all each written games with Phil.

Unfortunately, we struggled to come up with an idea. Peaky starts with a session where everyone pitches ideas for freeforms (that may or may not be written). In our case, I was getting a bit fed up with the process (nothing really grabbed me) when Heidi half-flippantly said that she didn’t care what she wrote provided she wrote it in the room next door. I agreed, as did Phil, AJ and Tony - and at which point we had formed a group. But we didn’t have an idea.

AJ had pitched an idea that involved meaningful decisions, so we kicked that around for a while. I’ve had an idea about a first contact situation where the players are members of the United Nations. They have to react to events (one of Jupiter’s moons goes missing, that sort of thing). We also talked about the old BBC tv show Crisis Command, which was like a Cobra emergency committee larp.

But someone wondered if we could do a different genre, and completely randomly I suggested Pride and Prejudice. And that stuck… We came up with an idea where the characters would make key decisions that would affect events further down the line. And because we’re all nerds and geeks, some of those decisions were a bit gonzo. (We really were taking the most appalling liberties with Pride and Prejudice!)

But we really couldn’t figure out how to do it. We kicked ideas around all Friday night. We thought about making it very Nordic and getting the players to do all the hard work. (That was appealing - we figured we could finish before lunch and spend the rest of Saturday playing games.)

We decided to sleep on it, and hope for inspiration.

Writing Tea at Longbourne (Saturday)

And inspiration didn’t come. We had some ideas, but they weren’t that much better and we couldn’t agree what to do. To me, the ideas felt a bit nebulous and I had a feeling that we had something, but we needed a bit more detail.

So I suggested that everyone spends 30-45 minutes writing their idea up - how they envisaged the game would work. (Tony reported to another group that at this point we were all writing our own game…) We then printed out everyone’s ideas and reviewed them all. We picked the best ideas from each and suddenly we had a structure we could use.

Once we had decided what to write, Tea at Longbourne turned out to be ridiculously easy to write. It helped that the characters are extremely well known, and we could take great chunks from Wikipedia. (In fact, the cast list was almost entirely taken from Wikipedia.)

Another thing that made it easy is that we had structured the game so that we had pairs of characters acting as a team. So once we’d written one, we just had to change the names and we’d written the other. That sped everything up and we ended up finishing by 6pm. (Another writing group finished before us, mind you.)

We spent the rest of the evening playing boardgames - and I organised the Sunday running order, as usual. (I have a system now and it works smoothly).

Sunday - playing the games

On Sunday we played the games. The running order was:

0930 The Circus of Wonders and Shadows and Here’s Dreaming of You Kid
1230 Tea at Longbourne and Berlin Station
1500 Seeds of Humanity and Imaginary Friends

In The Circus of Wonders and Shadows I played an insecure stage magician who had come into possession of a fabulous artefact - but unfortunately had terrible consequences. I had a lovely time agonising whether to continue using it in my show or not.

I didn’t play in Here’s Dreaming of You Kid, which was a four-player game about relationships. (The GMs ran two games simultaneously, otherwise we would have had spare players with nothing to do.) It sounded really interesting though.

Berlin Station was a cold-war spy game that I didn’t play because I was running Tea at Longbourne.

Tea at Longbourne went really well - apart from a few logic errors towards the end, the players seemed to have a great time and even held an impromptu dance. There are a couple of changes that I want to make - the main one to allow for an ending that makes everyone happy. In the current version of the game it’s not possible for everyone to get what they want, and I’m not sure that’s the right thing to do in a Pride and Prejudice game.

A dance in Tea at Longbourne

In Seeds of Humanity I played a Botanist on a colony ship leaving a doomed earth. Unfortunately I struggled a bit with this game - it mixed a murder mystery with a bunch of angst, and while that worked for some, my character was a bit too peripheral to be fully involved.

Imaginary Friends was the last game - which was about childhood imaginary friends (I think). It sounded good.

Six out of six

So six freeforms written at Peaky, most of which I’m sure will be played again at some point. (I know I’m going to work on Tea at Longbourne.)

Freeform ability strips

Ability Strips are a way to quickly add abilities to a freeform. They consist of a strip of card with three abilities for each character. There is also space for the character’s secret (something that they don’t want other people to know) and information (something that they know but don’t mind sharing).

You can download the file here.

I wrote them with Peaky in mind. There’s rarely a lot of spare time at Peaky, and so there are almost never any abilities at the game written there. While they’re not always necessary, sometimes I miss them so I designed these ability strips that do not require much effort to use. I imagine it wouldn’t take more than an extra 30 minutes to drop these into a typical Peaky game.

The abilities refer to goals and an “Other People” section, so you’ll need to make sure that your character sheets include those - but many already do.

If you’re familiar with our murder mystery games at Freeform Games then you may recognise much of this. In our games, characters all have three abilities, a secret and a clue. Our current format for our games has abilities within the character booklet, but at one time we had ability strips just like these (some of our older games still do).

Abilities don’t suit all games, but I can imagine them working well for games such as Best of the Wurst, An Ecumenical Matter, and Carry on at Camp David. I wouldn’t use them for games like Second Watch or Burning Orchid.

Some tips for using the strips

Knowing that I was going to include abilities wouldn’t change how I write a freeform - the abilities simply make it easy for information to be shared within the freeform.

Some of the abilities refer to a characters first goal. So it’s nice if the top goal is fairly interesting. (I like to think of using abilities as rolling a critical in a tabletop RPG - so it’s nice if you always get something worth having.) But on the other hand make sure that that top goal doesn’t give too much away.

There’s no reason why two (or more) characters can’t have the same abilities.

I generally don’t include many of the abilities that expose secrets, and I am careful about who I give those to.

In Freeform Games, the murder can’t be solved purely by using abilities (so the murderer doesn’t have “I’m the murderer” as their secret). So be circumspect when thinking about what to use as secrets and information.

Adding Ability Strips to The Highgate Club

Before posting this here I’ve taken the Ability Strips out for a spin and added them to The Highgate Club. I’d already prepped this as I had hoped to run it in January, but I didn’t get enough players and ran Death on the Gambia instead. So The Highgate Club is all printed out and ready to run...

So all I did was use the ability strips as given and created one for each character. I re-read their character sheet to identify an appropriate secret and piece of information, and that was it. The Highgate Club has 14 characters so I needed to create four more ability strips - and all I did was duplicate two of the pages. (So some characters have duplicate ability strips - not that it matters.)

I did check through the characters and make sure that they had an interesting first goal and that they knew at least two or three other people - that did mean a little bit of rewriting, which probably wasn’t a bad thing.

I haven’t run The Highgate Club again yet - and I’m looking forward to seeing if the strips make a difference.

Expanding further

The abilities I’ve used are all fairly straightforward information-sharing abilities that suit pretty much any freeform. Please feel free to replace with other abilities that suit your game.

A simple way to make the abilities suited to the character is to add a bit of flavour text, explaining why they have that ability.

Freeform Games have some standard rules for combat, arrests, capturing, poisoning and pickpocketing that all contain further examples of abilities. You’re welcome to use them!

Here’s the link to the Ability Strips again.

Airecon 2019

Overall, I had a delightful Airecon 5. Airecon is the annual board and tabletop rpg convention held in March in the Harrogate Conference Centre. This was my third visit (it's virtually on my doorstep so it would be daft not to go).

This year, for the first time, I didn't go alone. Megan came with me, as did my brother and Jack his son. They all enjoyed themselves, and Megan decided to come back on the Sunday with me.

Here's how our convention played out.

Saturday

We started with Arrr, a playtest of a game of pirates digging up treasure. This involved getting our meeples to the buried treasure, rotating sections of the board to get paths to line up. There were some rules about stealing other player's treasure, but these seemed a bit complicated (a few too many exceptions involved) and when we started playing the complexity of just getting my meeples to my treasure meant I couldn't handle the stealing rules. I said this, Phil agreed, and we decided to ignore stealing for this game.

Arrr

Maybe stealing works once you've figured out the movement, but as a race game it was fine. (But I won, so maybe my view is coloured by that.)

Over at the Asmodee section of the game we decided to try Dice Forge. We were taken through the rules by one of the demo team, and had a very enjoyable game. Dice Forge features six-sided dice with interchangeable faces that you upgrade - it's a bit like a deckbuilder but you only have 12 cards. It plays quick and I like rolling dice. I won this as well.

Thumbs up for Dice Forge

After Dice Forge we wandered around the stalls a bit, I caught up with a few people that I knew, and then we grabbed something to eat from one of the several food outlets.

After that I went to find Megan (who was dropped off by Mrs H) while Phil and Jack played a few other games. When we came back, Phil and Jack were deep in a game so Megan and I played Wibbel, playtested a bee game (a bit too random - Megan had a great theme suggestion though), and played a huge version of Tsuro using carpet tiles (fun mainly for the physicality of it).

Phil and Jack then joined us to play Hey That's My Fish with the players as the playing pieces. We played a team game (kids v adults), and the team aspect was very interesting in trying to agree who should move each turn. Happily for all, it turned out to be a tie.

Hey! That's My Fish!

We then headed back to the Asmodee demo section to try Pandemic: The Fall of Rome, which we lost heavily. We followed that up with Four Elements (a four player flicking game similar to carrom) before having a final game of Dice Forge (which Phil decided to buy).

Sunday

My original plan for Sunday was to go on my own and play a tabletop RPG. (My even earlier plan was to run some tabletop, but I wasn't organised enough for that.) However, Megan had such a nice time on Saturday that she wanted to come with me. I'd booked myself in on a game, but it had no free spaces so instead we found a game with a couple of free spaces and played that instead.

Our characters - we were all playing women.

I checked with the GM that it was suitable for a 12-year old, and we started playing. The game was a Victorian Fate Accelerated investigation into mysterious goings on at an archaeological dig in Egypt. Unfortunately the game was very slow and I could tell Megan was bored (I wasn't that excited myself). Worse, I don't think we could ever have worked out what was going on from the clues we were given (even the grown-ups, let alone Megan).

A couple of things would have improved it:

• Fewer players: When we joined, we had four players total. That's a good number for a tabletop RPG, it means that everyone gets plenty of limelight. Unfortunately, we were joined by two more players, making us six. Unless you're playing Hillfolk (or another game designed for lots of players), or you're an exceptional GM, six players is really too many.
• Replace the first scene with shared history: Although the game was set in Victorian Egypt, the first scene was set at our lodgings in London and basically consisted of us being hired to investigate mysterious goings-on. We were never going to say no, but dutifully we played this out over 30 pointless minutes. Instead, we could have started in Cairo and replaced the hiring section with some character building and shared history.
• Provide context with the clues: In an ideal scenario, we would have pieced together the clues, understood what was going on, and developed a plan to stop it. Unfortunately while we were finding clues, as players we didn't understand what we were seeing. As a result, all we did was poke the scenery and reacted to what turned up. If we'd understood what the clues meant, maybe we could have been more proactive. While the GM did bring the final scene forward, I'm pretty sure the mystery was unsolvable. The denouement featured a previously unknown NPC and some mad science, which I certainly didn't see coming.

Sorry for the rant. I set high standards for convention games as I don't like disappointing players (and I don't like to be a disappointed player).

Adding a cat to the wall of cats

Lunch followed the RPG, and then designer Jon Hodgson demoed Bang and Twang, a very lightweight card game that was a fun but probably needed a few more beers to properly enjoy.

Megan and I then played Assembly, a cooperative game that we narrowly lost (we would have won it on our next turn). We finished Sunday with The River, a worker placement game that I came joint first in.

The River

Sunday at Airecon was noticeably quieter than Saturday, and speaking to one of the traders they said that it felt like everyone was just passing through the trade stands on Sunday, unlike Saturday where they would stop and browse. I couldn't disagree, as I'd done exactly that!

So that was Airecon 5, and we are all looking forward to Airecon 6 next year.

Meanwhile, elsewhere...

Links to some of the things I've recently written elsewhere.

Hosting Death on the Gambia in 2019: In January I hosted Death on the Gambia for the Little Leeds Larps Facebook group. Getting enough players was a bit of a challenge - we were hoping to get enough to run The Highgate Club, but instead I hosted Death on the Gambia instead.

Leeds Freeform Larps: This is the wiki I set up to promote freeforms in Leeds. Not terribly successful, at least not yet.

Looking Back at 2018: For the Freeform Games blog. My annual review of the year. I know that December is full of looking back stories, but I like to do this in January because the year isn't over until it's over, and I want my figures to be accurate.

Big Money: Again, for the Freeform Games blog. Here I've provided the money graphics for all our games so that our customers can do what I did when recently hosting Death on the Gambia.

Investigating Pickpocket Crimes simple rules for investigating pickpockets in freeforms. Written for Freeform Games, but anyone can use them.

Running Cthulhu Dark

So finally, after writing about it back in 2017, I have finally run Cthulhu Dark. I ran In Whom We Trust on a wet Sunday afternoon in March at GoPlayLeeds (GPL), which wasn’t as atmospheric as I might hope.

In Whom We Trust was originally written for the Call of Cthulhu tournament at Convulsion ’96. Since then it has been played a number of times and suffered a variety of edits.
In Whom We Trust was also used as the RPGA tournament scenario at GenconUK 2001.

I last ran it at Continuum in Leicester in 2016 and wrote about that here.

For Cthulhu Dark, I made a few changes:

• I deliberately made the characters more powerless. So rather than white European explorer types, I made them unemployed locals.
• I changed the expedition from being a Miskatonic expedition to one from the University of São Paulo.
• I added detail in the form of themes, creeping horrors, and what rolling 5s and 6s would reveal.

But apart from that, the scenario is pretty much as it was before.

How did it play?

I had four players, Nathan, Kip, Gary and Daniel. Two experienced players, and two very new to roleplaying. (One had apparently seen roleplaying on Critical Role, found GPL on meetup and turned up to find out what was going on. My how times have changed.) Happily, I don’t think I put them off.

The game went well, if perhaps shorter than I expected. We finished in under two hours. (Although perhaps I should have remembered that, as looking back on that run in Continuum I think that finished in a couple of hours as well.)

Still, two hours is plenty (not every session has to be a five hour marathon) and it gave us lots of time to relax and chat afterwards.

As for Cthulhu Dark itself:

• Playing the game was pretty painless. It’s about the level of rules that I like - very simple, not very difficult. As this was the first time I’d played it there were a couple of moments where I had to look something up, most only now and again.
• Insight worked well - one player reached 6 insight just at the end, the others were on 4s and 5s.
• There was one survivor, which isn’t unusual for In Whom We Trust. It was nice and depressing. Nobody was upset about that - I pitched it as “Doomed investigators in the Amazon jungle,” so they knew what was coming.
• I totally forgot about the creeping horrors, which didn’t surprise me as I had a feeling that would happen. My plan to overcome that was that I repeated them on the worksheet at the end of the scenario. Only I never looked at it. I don’t use a GM’s screen, and maybe if I did I would have written them out so that I couldn’t miss them. (Still, given that we were playing in Geek Retreat, I’m not sure it would have made much difference.) 
• I found a few glitches in the scenario, which I’ve since sorted out.

Overall I’m enjoyed running Cthulhu Dark - it worked well with In Whom We Trust. I’ll probably use it again, if I’m running a horror game (which to be honest doesn’t happen much these days).

Try it for yourself

Here are the game files for In Whom We Trust for Cthulhu Dark.

Contingency Envelopes Again

After reflecting on contingency envelopes last year in my experience in Shogun last year, I decided to be a high-trust player in Torch of Freedom and open my contingency envelopes early.

Because I was a bit rushed to start with (thanks to a busy day at work I didn’t check into the hotel until 10 minutes before everything was going to start), I decided not to open my contingency envelopes immediately, but wait until the end of the first period.

I had three envelopes, two looking for player numbers and the third for an item. I spotted one of the players at about midnight on the Friday after spending much of the evening staring at badges numbers.

When I opened the other I breathed a sigh of relief as I knew what it referred to (because I’d played before) and knew that meant I didn’t have to worry about reading name badges.

As for the third contingency, I never did see the item, but what it revealed wasn’t a surprise.

In all cases I would say that they could just have been added to my character sheet in a “What you don’t know yet” section along the lines of: “If you see Blind Pugh then you recognise him as Ambassador Flint.”

So for my contingency envelopes, there was nothing that could be included on my character sheet.

However, I’m hoping that I don’t have to be a high-trust player for much longer. If writers can think a bit more about their contingency envelopes, then I wouldn’t want to open them in advance. The trick will be working out when that happens...

Torch of Freedom

I don't think I've ever been as unprepared for a weekend freeform as I was for Torch of Freedom, held as usual in Retford during February.

Me as Yuri Fedotkin

Normally I've read my character sheet and got my costume prepared and arrived in good time so that I can relax at the hotel, finish reading and make some plans. This time, a number of factors contributed to my unpreparedness - including Mrs H spending a large chunk of the previous ten days in bed with flu, an unfinished costume, and running a workshop in Birmingham on the day it started. All of which meant I didn't arrive at the hotel until ten minutes before everything was supposed to begin...

So not a very relaxing start, and perhaps that contributed to my weekend being a bit up and down.

Torch of Freedom - what's it about?

It is 1848 and in the eastern European country of Petronia, unrest is brewing as the downtrodden workers rail against the oppressive yoke of their aristocratic masters. It is against this background that a revolution will occur.

I was playing Yuri Fedotkin, the Russian ambassador to Petronia. I wanted to fan the flames of revolution, but ensure that they were snuffed out.

Torch of Freedom was originally written by Bruce Glassco, Brian Altmiller, Rebecca Ellis, Suzanne Miller, Walter Neill and Paul Wayner. It was first run in the USA in 2002, followed by a run in Retford in 2003. I played in the US run (as Horace Hoffman), and I was a GM in the first UK run. So I've experienced it all three times.

Highlights

Revolution - the mechanic: The revolution was so much better this time around. Previously the revolution had involved a simple wargame with locations taped out on the floor, with rules for movement and battle. It was chaos, took forever to resolve, and left a lot of bad memories.

This time, the revolution consisted of a simple yet tactical voting mechanism, using poker chips of different weight (to represent the quality of your forces). There were five key locations, and control of three of them was required for victory. All you did was decide which area you were going to contest, and which way to vote (Monarchy or Republic).

This took about 30 minutes, and was timetabled for the start of Saturday evening, just after the meal break. That’s a huge improvement over the 3-4 hours to resolve the previous revolution.

Revolution - the result: In the first two runs of Torch of Freedom, the monarchy beat the revolutionaries, and the status quo was maintained. This time the revolution was successful and the monarchy was overthrown!

I do wonder how much of that was down to the wargame. There are plenty of players who would not have wanted to participate in that, or may have played sub-optimally because they didn’t fully understand the rules. Simplifying the revolution mechanic probably made it more democratic by making it easier to be involved.

Revolution - my involvement: The other reason there was such a majority was possibly because of people like me. I’m afraid I was meta-gaming. After two failed revolutions, I wanted to see a successful revolution - and so I did my bit to help that along.

This took two approaches. The first was someone from my past was a revolutionary and a friend (played by Julie), and I fed them rifles to help them bolster their forces. The other thing I did was to ask them which areas they weren’t contesting, and I defended there. (I decided that although Steve wanted the revolution to be successful, Russia couldn’t be seen to be on the side of the revolutionaries - so I planned to commit my forces where they wouldn’t be effective.)

As it happens, the revolutionaries took the area I was defending as well! (It turns out that there was more than one revolutionary cell.)

Negotiating with the Ambassadors: I enjoyed the careful negotiations with the other ambassadors (particularly Paul, Steve and Max) . Three of us would have been happy to turn Petronia into a protectorate but nobody had the power to do it alone. As time went on we had more power and more options, and the key thing was not to move in too soon. (I’ve done that before, and you can end up regretting it by becoming the enemy.) So it was a dance, and an enjoyable one at that.

Rewarding the gypsies: It was a delight to interact with David and Liz, who were playing the gypsy king and queen. They’d helped me in the past, I rewarded them in game. I always like to be generous in game, and this time it was rewarded as they came to me later on with something very important...

Hoffman in chains in 2002!

Checking in with Hoffman: As I played Hoffman previously, I was interested to see how his arc compared to mine. I think Matthew was more successful than I was - I ended up in chains after the revolution.

My costume: Despite being a source of some stress, I was very happy with the frock coat that Mrs H made me. Amusingly, I’ve just realised that I was wearing the exact same waistcoat in 2019 and 2002. It doesn’t get out much!

Seeing old friends: Inevitably one of the high points of any weekend game is spending time with friends. Despite a bit of a rushed start, there was still plenty of time to catch up over breakfast and the dinner break.

The barricade: At about 5.30pm, just before the dinner break, the revolutionaries built an awesome barricade, waved banners and sang and danced loudly. It was a wonderful start to the revolution.

Battling 21st century sensibilities: Inevitably modern-day players brought their modern-day sensibilities with them, and it was fun to try and argue from a 19th century perspective. For example, I had great fun explaining that admitting women into university was clearly unwise as not only did they not need an expensive education to run the house and raise children, but that they were taking the place that could be taken by someone more useful: a man.

I noticed the same issue in 2002 when I was playing the factory owner, Hoffman. Here are my notes from the time: One thing that didn't quite work (and I probably could have predicted this) was the problem of the players bringing their 21st century values to a game set in 1848. As a capitalist oppressor of the masses, I particularly noticed this. Although conditions for my workers were appalling (by our standards), I was doing nothing wrong - and yet rather too often I found myself condemned for the workers' poor conditions by those who should know better. (There also weren't enough arranged marriages and executions after the revolution, for similar reasons.)

But…

Unfortunately, if I was scoring Torch of Freedom out of 5, it would only scrape a 3. I didn’t quite have enough game for my liking.

Big problem was that I didn’t quite have enough to do. Friday night was fine and chaotic as usual, as I spend most Friday figuring out who I need to talk to and re-reading my character sheet over and over again.

Saturday morning, however, was very quiet for me. The international negotiations had been concluded on Friday, so I was mainly reliant on personal goals. And while these ticked over, there wasn’t quite enough to keep me fully occupied. When I reconsidered my character sheet I realised that I had quite a bit of background, but not that much plot.

Things improved on Saturday afternoon as we approached the time for the revolution. There was a lot of preparation, and the ambassadorial dance was in full swing as we tried to work out what each other was doing, and tried not to overcommit our forces too early.

The barricade

And then it was the revolution. The revolution itself took 30 minutes, at which point it was clear that the monarchy had been overthrown. As an ambassador I got a tiny vote in deciding the shape of the country, but there was such a huge majority for a republic with universal suffrage that it didn’t matter which way I voted.

After that a provisional government had to be formed, with candidates putting themselves forward by 10.30 on Sunday morning (with yet more voting to follow).

So at about 9pm on Saturday, with the second vote over, my game effectively stopped. There was no government for me to liaise with, and my personal goals were more or less done. So I sat in the bar with other members of the losing side and drank beer.

On Sunday I wondered what to do, and decided to interview all the candidates for the provisional government to find out their policy on international relations, and in particular their views on Russia. Despite me having some votes, most people were completely honest and didn’t think to try and persuade me to vote for them by being pro-Russia.

And then, once my vote was cast at 11am, that was pretty much it for me for the rest of the game. I wouldn’t have minded finishing a bit early on Sunday, if only there hadn’t been so much downtime earlier on as well.

Things I could have done

Maybe there were a few things I could have done to give me more to do.

Shoehorn my way into other plots: Perhaps I could have somehow shoehorned my way into other plots. That's not something I find very easy to do - although that's easier if my character has a specific skill that someone needs. I'm not aware that anyone needed the Russian ambassador for anything.

The romance rules: Torch of Freedom had a set of romance rules, as most weekend freeforms do, but I didn't use them. That's mainly because almost all of the characters I interacted with (whether other ambassadors or people named in my character sheet) were men. I like it when romance emerges naturally from playing alongside another character, and I'm not about to start chasing romance just because I have nothing else to do.

My family: It turned out that both my son (Ivan) and daughter (Irena) were also in Torch of Freedom. I had been told that Ivan had been killed in Turkey and Irena was missing. I suspected that Irena was in the game, and while I realised that Ivan might also be present, that seemed more unlikely.

I was on the trail of Irena on Friday night, and her identity was revealed to me on Saturday. At about the same time, Ivan revealed himself to me. While I introduced myself to them (and introduced them to each other), and offered help, this didn't go much further. I did get involved in some of Ivan's plots, but a bit too little too late.

Looking back, I expect that different players would have found it easier to share plots. As it was, I didn't get on with either player particularly well (a lack of chemistry) and as a result our dealings were largely transactional. Perhaps I should have pushed through that and made more of an effort.

Silver linings

Given that I had more downtime that I prefer, this did present some silver linings.

Time to chat: One thing that there never seems to be enough time of at the weekend freeforms is time to chat to other players. This time I had lots of great conversations, including many with people I don’t normally get to chat to.

The hotel, looking almost tropical in February

Best Retford sleep ever: Thanks to being fairly relaxed on Saturday evening, I think I had my best night’s sleep ever at Retford. I slept really solidly through to Sunday morning, which is a rarity.

Does the game need to change?

Two things make me think that maybe Torch of Freedom still needs a bit of work.

The first are my notes from the first run of Torch of Freedom, when I wrote: ...one of the players had become ill just before the game started. Unfortunately, he and I were fairly closely linked and I think it affected my game as there were parts of Saturday and Sunday when I didn't have enough to do (my goals at that point being either done or in tatters). I'm never really sure how much of that was my fault and how much was due to the missing player. One other thing that was lacking on my otherwise substantial character sheet were a few juicy nuggets of information about other characters completely unrelated to any of my plots. That might have helped me get involved in other plots, I don't know. But as I said, it might just have been me.

The second is that I met quite a few other players who didn’t seem to have enough of a game either (although it was lovely talking to them). Which makes me think it’s not just me.

A problem with a revolution

An angry, if successful,
revolutionary

Part of the problem is the revolution itself. The very nature of the revolution means that there will be winners and losers. That’s great if you’re on the winning side, but if you’re on the losing side your game may just have been taken away from you.

As written, the outcome of the revolution can go the following ways:

• Monarchy: the status quo. Great for the upper classes, but disenfranchises everyone else.
• Anarchy: this would pretty much mean the end of the game for everyone.
• Protectorate under Turkey, Russia or Austria. Great for the relevant ambassador, likely to annoy lots of other people.
• Republic with Propertied Voters: Great if you have property, but what do those who don't have property do? 
• Republic with Universal Suffrage: This is the best result for everyone, although even then not everyone got to vote candidates onto the provisional government.

So as it happens, we had the best result for the game - but that still left quite a few players with not much left to do once their side had lost.

Changes to Torch of Freedom

Here are a few ideas of things that could be done for the next run of Torch of Freedom.

Move the revolution: Now that we had a speedy mechanic for resolving the revolution, it could be pushed back in the schedule until last thing Saturday night or even first thing Sunday. It would make for a fine end to the game.

But if you did that, I’d be even more worried about not having enough game, so it shouldn’t be the only change.

More things known about people: As I noted in 2002, my character sheet lacked nuggets of information about other characters. If you weren’t detailed in my background, then I didn’t know anything about you other than the (bland) public information. I like to see bits of information about other characters - if nothing else it’s something to start a conversation about.

This change doesn’t have to be a complete rewrite. The trick is to look at each character to work out what their issues and problems are, and then spread that information around some of the other characters.

More events: Although the Torch of Freedom timetable looked busy, it was surprisingly empty of events suitable for anyone to attend. So I think it would be good to have a few extra events that anyone can attend - a dance, gambling, speeches. I am sure there are others.

Another option would be to make more of the strikes. A bit like putting out the fires in Shogun, the strikes could be something for anyone nearby to become involved in. Some players would be the striking workers, some the troops breaking the strike.

Gambling in the taverns: Gimble’s chocolate house could have had a roulette wheel and cards, dice could have been available in the taverns. That would have given us games to gamble on, although we may have needed a smaller unit of currency than the Ista to gamble with.

Bit parts: Adding bit parts (small roles played by the players for short periods of time) would give players something to do during the quiet times. I can imagine lots of small roles that would be fun to play - striking workers, rioters, gypsies. Minor aristocrats getting beaten up in the warrens. Criminals for the police to arrest.

The diplomatic game: Maybe there could be a diplomatic popularity game, with the various ambassadors (and other nationals) aiming to increase their country’s popularity in Petronia.

And finally...

Perhaps another player would have had a better time with Yuri Fedotkin. Perhaps Yuri just didn’t suit me. If so, perhaps I need to improve how I fill in the casting questionnaire to give the GMs a better chance of giving me a character I will enjoy.

I don’t normally record my casting choices - perhaps I should do so. But I probably ought to work out what it is I like in a freeform in a general sense. Based on Torch of Freedom, these are my first thoughts:

• I like to be busy: I like having lots to do - particularly stuff that's meaningful (so I don't mean busywork). That doesn’t have to mean lots of goals, but it often does.
• I like to have someone I can trust in a game: I really like having at least one close ally in the game that I can definitely trust. That doesn’t have to mean romance - just a trusted friend is enough.
• I like being part of a group: I’d rather be part of a group than a loner. And if I must be a loner, then I would like lots of strong links to other players.

That’s a start, and I will consider more as I go on.

(Thanks to Charlie, Julie and CJ for the photos - I didn't take very many!)

May I recommend?

Here are some of the books I enjoyed in 2018. They all scored 5.

Fiction

I’m a geek, so my fiction reading is pretty much genre fiction - science fiction, horror, urban fantasy. I don’t read that much pure fantasy - elves and dwarfs don’t really do it for me.

The Delirium Brief by Charles Stross. This was probably my favourite book of the year, with things for the Laundry (Britain’s occult branch of Her Majesty’s government) going very pear shaped as the forces of privatisation and eldritch horrors combine. This is book something in the series, so I suggest that you start with The Atrocity Archives, which is where it all began. (But if you can’t bear reading that, you could easily jump into the series with book 5, The Rhesus Chart, which sort of kick-starts the series again. The only difficult with that is that one of the players in The Delirium Brief first appears in The Fuller Memorandum, so there’s that.)

If I have a criticism, it’s that Stross sometimes thinks that his writing is clearer than it is, which is why I find it essential reading to read his “crib sheets” about the books, which can be found on his blog (here is the crib sheet for The Delirium Brief).

I also read The Labyrinth Index in 2018, but I didn’t enjoy that as much. For me the Laundry works best when it’s being British, and The Labyrinth Index spends most of its time in America. (It still scored 4 though.)

The Consuming Fire and The Collapsing Empire by John Scalzi. I’ve been enjoying Scalzi’s Old Man’s War (another book that scored 5 with me - see last year). I can’t remember how The Consuming Fire came to my attention, but as soon as I read it I immediately had to read The Collapsing Empire.

These two are the first two books of a trilogy, which is full of Game of Thrones style machinations but set in space (and with fewer pages and smaller cast of characters). Lots of ruthless plotting and villainy to keep me entertained - the kind of family politics where family members are sacrificed for the greater good. I suspect the good guys will win in the end. Book 3 is due out in 2019 - I’m looking forward to that.

Non-Fiction

Inside the Nudge Unit by David Halpern. This is the story of the Behavioural Insights Team that David Cameron set up in 2010. I’d heard about governments using nudge theory, but this was the first time I’d read anything in detail about it. I read this on my Kindle, and one of the things I’ve got into the habit of doing (with non-fiction particularly) is to highlight passages I find interesting. In this one I learned that:

• Having a good relationship with your boss is associated with dramatic increases in life satisfaction - as good as a 30% pay rise. Keeping a diary also works. (Although if you ask people political questions first, they will then report lower wellbeing. Hmmm.)
• If you want to encourage a particular behaviour, make it easier. If you want to discourage it, make it harder. (I know this isn’t rocket science, and is something I often practice at work, but it’s amazing how many people don’t think like this.)
• Easy to read messages are not only likely to be understood, they are also likely to be believed.

Arguably, this is just marketing, of course.

Inside the Nudge Unit lead me to the book that started it all: Thaler and Sunstein’s Nudge. I didn’t enjoy this as much - I found it fairly heavy going in places. It also went over a lot of ground that I’d read previously - and not only in Inside the Nudge Unit, but in other psychology books I’ve read. Perhaps had I read Nudge first I would have scored it higher.

I also read the do-it-yourself book from the Nudge Unit: Think Small by Owain Service & Rory Gallagher. I enjoyed this (it scored 4), but much of it I’d read before.

Scrum: The Art of Doing Twice the Work in Half the Time by Jeff Sutherland. We’ve spent the last few years at work dabbling with lean, which I have found fascinating (if somewhat frustrating, but that’s another story). There are clear parallels here, as Scrum has a lot of similar ideas to lean, but to me felt a bit more practical. (Although in both cases they will fall down if the organisations leaders haven’t bought into it.)

Superbetter by Jane McGonigal. Superbetter is about using the science of games (particularly computer games, but other games are mentioned) to make yourself happier and boost your resilience. It does this by using the language of games (quests, power-ups, allies, and so on) and turns it into things you can do in real life. There’s a bunch of science behind much of this (although as with a lot of this kind of psychology research, I expect that it’s not always possible to replicate the results).

As with a game, the quests start off easy and then get harder.

Some things I liked:

• Quest 5 is just to turn your palms up and leave them that way for at least 15 seconds. Apparently this triggers a powerful response in our brain and we’re less likely to reject or dismiss new ideas and information.
• Quest 10 is about boosting social ties and involves asking someone by email or messenger: “On a scale of 1-10, how’s your day going?” And then when they respond, asking “Is there anything I can do to raise it from X to X+1?” I’m a bit too introverted (or maybe just shy) to try this one out, so maybe that’s even more reason to try it.

I wish I had read Superbetter on my Kindle, as I have no doubt I would have liberally highlighted it which would have made it easier for me now. However, I listened to this via Audible and it’s hard to make notes while driving to work or walking the dog. I have since bought a paper copy.

Superbetter introduced me to the pattern-matching game Set, which Megan is much too good at and almost always beats me.

McGonigal’s TED talks are also worth watching. I particularly liked the one about thumb wrestling.

This is Going to Hurt by Adam Kay has been a bestseller, and covers Adam’s time as a Junior Doctor (which makes them sound more junior than they really are). Funny and heartbreaking, it’s difficult to listen to this and then feel anything other than anger with the way that doctors have been treated by the government.

The Secret Barrister by The Secret Barrister. I followed This is Going to Hurt with the anonymously written The Secret Barrister. This is in the same vein, and takes a similar and frightening look at the law. It’s hard not to feel sympathetic, and assuming that this is true, makes you realise quite how thoroughly broken some parts of our society are. Scary.